FIRST QUARTER
Analyzes elements and principles of art in the production of one’s arts and crafts inspired by the arts of Luzon (highlands and lowlands)
Identifies characteristics of arts and crafts in specific areas in Luzon (e.g., papier mâché [taka] from Paete, Ifugao wood sculptures [bul’ul], Cordillera jewelry and pottery, tattoo, and Ilocos weaving and pottery [burnay], etc.)
Reflects on or derive the mood, idea, or message emanating from selected artifacts and art objects
Appreciates the artifacts and art objects in terms of their uses and their distinct use of art elements and principles
Incorporates the design, form, and spirit of the highland/lowland artifact and object in one’s creation
Traces the external (foreign) and internal (indigenous) influences reflected in the design of an artwork and in the making of a craft or artifact
Creates crafts that can be locally assembled with local materials, guided by local traditional techniques (e.g., habi, lilip, etc).
Discusses the elements from traditions/history of a community for one’s artwork
Shows the relationship of the development of crafts in specific areas of the country, according to functionality, traditional specialized expertise, and availability of resources (e.g. pottery, weaving, jewelry, baskets)
Shows the relationship of Luzon (highlands and lowlands) arts and crafts to Philippine culture, traditions, and history (Islamic influences, Spanish heritage, and American legacies in education, business, modernization, and entertainment, as well as in indigenous practices, fiestas, and religious and social practices)